[11] Parker knew that the pre-recorded playback would be the main backbone for the filming, hence was wary about the decisions he had to make in the recording studio. [2] This was spurred by Madonna winning the Golden Globe Award for Best Motion Picture – Musical or Comedy. However, we still needed lyrics and Tim dutifully began to put words to the music. Evita is a concept album released in 1976 and produced by Andrew Lloyd Webber and Tim Rice.Having successfully launched their previous show, Jesus Christ Superstar, on record in 1970, Lloyd Webber and Rice returned to the format for Evita.The album was recorded at Olympic Studios in London from April to September 1976 and released in the United Kingdom on 19 November 1976. Oh, What a Circus (uncredited) Flick noted that Banderas found the experience "scary" while Madonna was "petrified" when it came to recording the songs. Evita was finally filmed in 1996, 20 years after its initial incarnation as a studio-bound rock opera. [11] Engineer David Reitzas performed the mixing of the track at Larrabee North Studios, utilizing their Solid State Logic 9000 J series consoles for the mix. Accompanied by classical guitar and harp, Banderas also sings over Eva's grave, and the track gradually fades out as an anti-climax. Warner Bros. Records released two versions: a two-disc edition entitled Evita: The Complete Motion Picture Music Soundtrack, which featured all the tracks from the film, and Evita: Music from the Motion Picture, a single-disc edition. "RainBow High" features instrumentation from drums, guitars, horns and strings, with the lyrics being about Eva's materialistic needs. 31 tracks (104:02). Listen to music from Evita Soundtrack like Don't Cry For Me Argentina, Rainbow High & more. [69] The Recorded Music New Zealand (RMNZ) certified it platinum, for shipment of 15,000 copies. [53] Also negative was The Baltimore Sun's J. D. Considine, who felt the soundtrack would disappoint the singer's fans "because Evita just isn't pop music—or, at least, not the kind of pop music Madonna usually makes on her own ... As a result, slogging through Evita is like listening to an opera written by someone who never got beyond learning how to write recitativo". The track was cut from the score and a new song written to include the key plotline of Juan Perón's rise to power: "The Art of the Possible".[2][3]. [7], Parker finished writing the script for the film by May 1995. There is a vibrant, contemporary energy and fearless cinematic sweep to this welcome new stamp on the mythic life of Eva Duarte de Perón". Read about Requiem For Evita by Evita Soundtrack and see the artwork, lyrics and similar artists. Rice's principal role was as one of the army officers on the track "Rainbow Tour" and Lloyd Webber played keyboards. [8] Warner Bros. depended on pre-release press reviews, consumer curiosity and the singles from the soundtrack to keep the interest afloat, until the album was released. ^shipments figures based on certification alone, For the soundtrack of the film adaptation, see, "British album certifications – Studio Cast Recording – Evita", Joseph and the Amazing Technicolor Dreamcoat, The Phantom of the Opera at the Royal Albert Hall, https://en.wikipedia.org/w/index.php?title=Evita_(album)&oldid=1000234887, Short description is different from Wikidata, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments figures, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, "On This Night of a Thousand Stars" / "Eva and Magaldi" / "Eva, Beware of the City", "Charity Concert" / "I'd Be Surprisingly Good for You", "The Actress Hasn't Learned the Lines (You'd Like to Hear)", "And the Money Kept Rolling In (And Out)", On This Night of a Thousand Stars / Eva and Magaldi / Eva, Beware of the City, Charity Concert / I'd Be Surprisingly Good for You, On the Balcony of the Casa Rosada / Don't Cry for Me Argentina, The Actress Hasn't Learned the Lines (You'd Like to Hear), Producers - Andrew Lloyd Webber and Tim Rice, Assistant engineers - Jeremy Gee and Anton Matthews, This page was last edited on 14 January 2021, at 06:55. Read about Requiem For Evita by Evita Soundtrack and see the artwork, lyrics and similar artists. [4], In her review of Evita, Janet Maslin from The New York Times complimented Madonna's ability to emote the songs calling them "legitimately stellar and full of fire". [8][13] Conductor John Mauceri remembered another challenge the production faced was adapting the stage numbers into a feature film; "On film, it's different than being on stage because the person on the screen in front of you is never farther than someone on the pillow in bed next to you". Madonna was thrilled to find the newly discovered nuances in her voice and would go home every night, practicing by telephoning her friends and singing to them. "The hardest work that anyone had to do was obviously done by Madonna. Add a video From The Album. Madonna staked much of her career on Evita, gambling that it would establish her as a proper movie star and a respected actress, as well as reviving her slumping musical career.Both the film and the soundtrack, while worthy efforts, fall just short of their goals, despite their numerous strong points. The bittersweet song "You Must Love Me" starts with the sound of orchestra and piano. [19] Military drum beats and a brass section start off "Peron's Latest Flame", where Banderas sings loudly about the general population disapproving of Eva. It was present on the chart for a total of 44 weeks and ranked at number 23 on the year-end chart. [17], The soundtrack begins with the tracks "A Cinema in Buenos Aires, 26 July 1952" and "Requiem for Evita", both conducted by John Mauceri, dealing with the announcement of Eva's death. [73] Across Europe, Evita reached the top of the charts in Austria, Belgium (both Flanders and Wallonia), Scotland and Switzerland, as well as top-ten in Denmark, France, Germany, Netherlands, Norway and Sweden. Listen to music from Evita Soundtrack like Requiem For Evita, Don't Cry For Me Argentina & more. —Film director Alan Parker talking about working with Madonna on Evita. The Recording Industry Association of America considers double CD as two different units, resulting in the quintuple platinum certification for shipments of 2.5 million copies. The musical style for Evita differed from Madonna's previous works and she was not comfortable in recording her vocals inside the studio alongside the orchestra. [63][64] The single-disc edition also charted separately, reaching a peak of number 91. Madonna sings about Eva moving from one home to another, portraying an image—the suitcase in the hall—"to express the nomadic nature of modern civilization". [30][31][32][33], "Don't Cry for Me Argentina" was released as the second single from the album on February 4, 1997. By Ed Mazza. [4] Evita was a commercial success, reaching the top of the charts in Austria, Belgium, Scotland, Switzerland and the United Kingdom, while attaining top-ten positions in other major musical markets. Playing via Spotify Playing via YouTube… This resulted in Rice and Lloyd Webber composing new music, including the new song "You Must Love Me". [78], *sales figures based on certification alone^shipments figures based on certification alone, 1996 soundtrack album by Madonna / various artists, Cover for the two-disc edition of the album. With her thin voice, she peeps out a series of mournful sounds that are painful to endure". [7], However Lloyd Webber was still wary about Madonna's singing, so after securing the role, she underwent vocal training with coach Joan Lader. Rice believed that the singer would suit in the title role since she could "act beautifully through music". [62] It reached a peak of number five on the chart, and stayed for a total of 27 weeks. Also, she was determined to sing the score as it was written and not to cheat in any way". 31 Songs. Lincoln Project Trolls Trump's Balcony Stunt With Singalong 'Evita' Parody. [39] Following its promotional release in October 1997, "Buenos Aires" peaked at number three on the Billboard Dance Club Songs chart. While some of the numbers have lost their sharp edge ('A New Argentina' lacks requisite anger), the recording benefits from its concentration on the characters' voices. [18] The gentle ballad, "I'd Be Surprisingly Good for You", is about Eva meeting her husband Juan Perón; its composed of flutes, classical guitar and subdued strings. Listen to albums and songs from Evita Soundtrack. It was released to promote and accompany the 1996 motion picture, Evita. [17] Here the lyrics talk about warning Eva from strangers in the big city. The libretto and synopsis record "Part One" as ending after the balcony scene following "Don't Cry for Me, Argentina" and "Part Two" beginning with "High Flying, Adored". [22] The final track, "Lament", finds Madonna singing in a whispered tone, about Eva looking back at her life on her deathbed. [48] Greg Kot from the Chicago Tribune, wrote that "the two-CD soundtrack casts Madonna in a new light. In many ways, she does more with less than her predecessor". The soundtrack was released in two different versions. The actors were tense during the recording sessions for Evita, since they were from a non-musical background. [52], AllMusic's Stephen Thomas Erlewine gave a mixed review calling the soundtrack "unengaging". Having successfully launched their previous show, Jesus Christ Superstar, on record in 1970, Lloyd Webber and Rice returned to the format for Evita. It's a pop-culture clash that is sometimes quite annoying (especially in Rice's left-field rhymes) but still works like a charm". After securing the title role in Evita, Madonna underwent vocal training in order to enhance her singing abilities. For a long time, Madonna had desired to play Eva and even wrote a letter to director Alan Parker, explaining how she would be perfect for the part. EVA by now a
successful actress, and PERON, by now one of the most
powerful men in the military government, are both
present. Try it free. Also, unlike her previous soundtrack releases, she had little to no control over the project; "I'm used to writing my own songs and I go into a studio, choose the musicians and say what sounds good or doesn't ... To work on 46 songs with everyone involved and not have a big say was a big adjustment", she recalled.[14]. Soundtrack Credits . Evita is the third soundtrack album by American singer Madonna.It was released on November 12, 1996, by Warner Bros. Records to promote the 1996 American musical drama film, Evita, directed by Alan Parker.The film was based on Tim Rice and Andrew Lloyd Webber's 1978 musical of the same name, about First Lady of Argentina, Eva Perón.Considered a Madonna album, the soundtrack features … [...] comparing her performance [on the soundtrack] to that of Patti LuPone, one comes away with a new admiration for her vocal skills. Rice had included details about the character of "Che" attempting to market an insecticide, most significantly in the song "The Lady's Got Potential". This version of Evita, is in my opinion, the best there is. The Republican group unveils "Covita" parody song after the president's return to the White House. Based on true stories, Peron and Eva are both portrayed very well and the fictional Che appears at various times to add to the story. [18], In "Goodnight and Thank You", Madonna and Banderas trade verses, talking about ending Eva's love affairs, followed by Banderas' solo "The Lady's Got Potential", musing about Eva's gradual rise on the society ladder. The soundtrack was her most challenging endeavor since the Stephen Sondheim songs recorded for the 1990 film, Dick Tracy. [36] Upon its release, the song reached the top ten of the charts in the United Kingdom. [5] However, more trouble arose as Madonna was not comfortable with laying down a "guide vocal" simultaneously with an 84 piece orchestra inside the studio. Amazon.com. Considered a Madonna album,[1] the soundtrack features Madonna on the majority of the songs,[2] with additional performers including Antonio Banderas, Jonathan Pryce and Jimmy Nail. Within five weeks it crept back into the top-ten of the Billboard 200 and for the issue dated February 8, 1997, reached a peak of number two on the chart. Recalling in his The Making of Evita essay: Finally, while I was visiting Andrew at his country estate in Berkshire to play him the tracks we had recorded, he suddenly sat down at the piano and played the most beautiful melody, which he suggested could be our new song. [57], In Canada, Evita debuted at number 27 on the RPM Top Albums/CDs chart. Lyrically it talks about Eva's discovery that her husband Juan had actually loved her all along and not merely seen her as a political prop. Evita Soundtrack
Miscellaneous
Charity Concert / The Art Of The Possible
(Backstage at the Luna Park Stadium. [1], Elements of the original plotline on this album were removed before the show was staged in London in 1978. Released in 1976, the musical began as a rock opera concept album. [5] Parker declared the first day of recording as "Black Monday", since it was "filled with trepidation and nerves ... All of us came from very different worlds—from popular music, from movies, and from musical theater—and so we were very apprehensive". An emergency meeting was held between Parker, Lloyd Webber and Madonna where it was decided that the singer would record her part at Whitfield Street, a contemporary studio, while the orchestration would take place somewhere else. [49] Authors Allen Metz and Carol Benson wrote in their book The Madonna Companion that the soundtrack gave Madonna "some of the post-disco queen/sex machine credibility she so desperately crave[d]". [28][29] It was also a moderate commercial success, becoming a top-ten hit in some countries including Finland and the United Kingdom, while reaching the top-twenty in the United States, where it achieved a gold certification from the Recording Industry Association of America (RIAA). A glossy brochure was included that contained the credits, libretto and a synopsis, with photographs of the cast and producers by Lord Snowdon and others, collected by the film director Carlos Pasini, of Eva Perón. All lyrics are written by Tim Rice; all music is composed by Andrew Lloyd Webber. [26] The song garnered positive response from music critics, many of them highlighting Madonna's enhanced singing ability. "People are seriously clamouring for it. [75] According to Carol Clerk's book Madonnastyle, the soundtrack has sold a total of 11 million copies worldwide.[77]. Tim Rice and Andrew Lloyd Webber's Evita, which began as a concept album in 1976 and had its first stage incarnation in London in 1978, finally came to the U.S. in 1979 with a production that opened in Los Angeles and moved to San Francisco for multi-week engagements before landing on Broadway on September 25 to begin a Tony-winning, 1,568-performance run. [7] But Parker noticed at the end of recording that they did not have the new song in place. [54] The soundtrack fell to number 28 the next week, before beginning to rise again when the film was released into theaters. EVA's old … On both the original LP and subsequent compact disc releases, though, the recording is split such that the balcony scene begins the second half. The cover had the name "Evita" written in a cursive font across a line drawn heart and the subtitle, "An opera based on the life story of Eva Peron 1919-1952" below. To put it simply, the Material Girl can sing. [11], Madonna's vocals are featured on 15 of the 19 tracks present in the soundtrack. Collections), 1997", "Argentinian album certifications – Madonna – Evita", Argentine Chamber of Phonograms and Videograms Producers, "Austrian album certifications – Madonna – Evita", "Ultratop − Goud en Platina – albums 1997", "Brazilian album certifications – Madonna – Evita", "Gold-/Platin-Datenbank (Madonna; 'Evita')", "Japanese certifications – Madonna – Evita", "Dutch album certifications – Madonna – Evita", Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers, "IFPI Norsk platebransje Trofeer 1993–2011", "Polish album certifications – Madonna – Evita", Polish Society of the Phonographic Industry, "The Official Swiss Charts and Music Community: Awards (Madonna; 'Evita')", International Federation of the Phonographic Industry, Evita (The Complete Motion Picture Music Soundtrack), Joseph and the Amazing Technicolor Dreamcoat, https://en.wikipedia.org/w/index.php?title=Evita_(soundtrack)&oldid=1002988314, Short description is different from Wikidata, Album chart usages for BillboardSoundtrack, Certification Table Entry usages for Argentina, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for Australia, Certification Table Entry usages for Austria, Pages using certification Table Entry with sales figures, Certification Table Entry usages for Belgium, Certification Table Entry usages for Brazil, Certification Table Entry usages for Canada, Pages using certification Table Entry without certification, Certification Table Entry usages for Germany, Certification Table Entry usages for Hong Kong, Certification Table Entry usages for Japan, Certification Table Entry usages for Netherlands, Certification Table Entry usages for New Zealand, Certification Table Entry usages for Norway, Certification Table Entry usages for Poland, Certification Table Entry usages for Spain, Certification Table Entry usages for Switzerland, Certification Table Entry usages for United Kingdom, Certification Table Entry usages for United States, Certification Table Entry usages for Europe, Pages using certification Table Entry with sales footnote, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, "A Cinema in Buenos Aires, July 26, 1952", "Eva and Magaldi / Eva Beware of the City", "Charity Concert / The Art of the Possible", "On the Balcony of the Casa Rosada (Part 1)", "On the Balcony of the Casa Rosada (Part 2)", "The Actress Hasn't Learned the Lines (You'd Like to Hear)", "And the Money Kept Rolling In (and Out)", "Your Little Body's Slowly Breaking Down". 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